{"id":9922,"date":"2026-06-13T12:00:53","date_gmt":"2026-06-13T12:00:53","guid":{"rendered":"https:\/\/news.theck1.no\/?p=9922"},"modified":"2026-06-13T12:00:53","modified_gmt":"2026-06-13T12:00:53","slug":"the-future-of-hollywood-isnt-feeding-prompts-into-vanilla-gen-ai-models","status":"publish","type":"post","link":"https:\/\/news.theck1.no\/?p=9922","title":{"rendered":"The future of Hollywood isn\u2019t feeding prompts into vanilla gen AI models"},"content":{"rendered":"
\nCharles Pulliam-Moore<\/strong>
\n •
\nJune 13, 2026\n<\/div>\n\n
\n

\"An

\n\tConcept art from Dear Upstairs Neighbors that used to train custom builds of Google\u2019s Veo and Imagen models. | Image: Google DeepMind\t<\/figcaption><\/figure>\n

For all the noise that’s been made<\/a> about how generative AI<\/a> is poised to revolutionize the filmmaking industry, there haven’t really been any projects<\/a> created with the technology that felt like the sort of entertainment people would pay to see. Most AI firms’ video models are still only capable of churning out short bursts of visually inconsistent footage<\/a>. And some of Hollywood’s biggest AI partnerships<\/a> have suddenly evaporated<\/a> in ways that make it seem like studios might not be able to rely on the new technology coming out of Silicon Valley. For the most part, short-form video slop<\/a> appears to be the only thing that major production houses ar \u2026<\/p>\n

Read the full story at The Verge.<\/a><\/p>\n

Read the full article →<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Charles Pulliam-Moore • June 13, 2026 Concept art from Dear Upstairs Neighbors that used to train custom builds of Google\u2019s Veo and Imagen models. | Image: Google DeepMind For all the noise that’s been made about how generative AI is poised to revolutionize the filmmaking industry, there haven’t really been any projects created with the<\/p>\n

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